Guitar World article on improvising on the guitar, but aspects can also be applied to improvising in general.
You have practiced countless hours, you know your scale positions and fingerings like the back of your hand, you can play faster than all your friends. Yet, all the solos you improvise (or write) sound kind of stale, and not like “real music”. Why? Years ago when I was a beginner this problem was driving me crazy...
Learn and practice music theory and ear training (aural skills) online, with options for mobile
The music of Schoenberg, Berg, Webern, Stravinsky, Bartók, Debussy, Scriabin, and their contemporaries has formed the core repertory to which pc set analysis has been applied, but it has also been used to examine later and earlier music, including tonal music. Indeed, studying pc set analysis doesn't just give us a new toolbox for probing many pieces of music; it can give us a new way of thinking about pitch design in general.
This guide includes some exercises, some of which you are guided through, with answers, to give you practice in dealing with analytical concepts and operations. In addition, the guide includes a pc set-class table and an annotated bibliography of basic printed and on-line resources in pc set analysis.
Enter some of the notes you want or even a chord or two. This tool will find the right scales for you. Use them for solo, or to complete your melody or chord progression.
Rhythm is the most important part of sight reading. If you have correct rhythm but incorrect pitch, at least you will be in the correct place. If you play the correct notes but the wrong rhythm you will quickly become lost.
Van Classical Music has a link database of a few resources for students to get discounted ticket
Reference for notation basics. Including stem direction, accidentals, beams and more.
Quick reference on part-writing guidelines